’68 Ford, one of the cars left behind at the Pearsonville junkyard. Seven hits of warm white light, while the full moon was behind the clouds. And I kept the exposure to only 75-seconds, to keep the unlit parts of the frame extra dark and sinister.
’68 Ford, one of the cars left behind at the Pearsonville junkyard. Seven hits of warm white light, while the full moon was behind the clouds. And I kept the exposure to only 75-seconds, to keep the unlit parts of the frame extra dark and sinister.