More from the Jeremiah O’Brien in dry dock in San Francisco. Even at night the ship was swarming with workers and caretakers, some, like Scott here, living aboard her, 24/7. When he showed me that the signaling lamps on the flying bridge still operated, I immediately saw it as a light painting tool and had him hit crane 6 with it. That’s hundreds of yards away–it’s an incredibly bright light. These are both approximately 10 second exposures. I threw a little Stinger on Scott, all the other light was local ambiance.